Sylvia Bolton

Sylvia Bolton established her studio in 1993 after working with renowned yacht designer Glade Johnson. Originally from Bulgaria, Sylvia traveled extensively throughout Europe and Africa and studied in Italy before relocating to Seattle, where her fascination with boats led her to specialize in yacht interior architecture and design. Over the years, Sylvia has worked on both custom and production yachts, blending her fine art and industrial design background to approach each project as a unique work of art—where composition, form, and function unite seamlessly. Beyond yacht interiors, Sylvia has extended her design expertise to residences, private clubs, and aircraft, collaborating with many of her yachting clients to bring a cohesive, sophisticated vision to a variety of spaces. She partners closely with shipyards and clients throughout North America and abroad. Since joining Westport Yachts in 2018, Sylvia has focused exclusively on the design and evolution of the Westport Yacht line.

Q&A

What does it mean to you to be an ISS judge?

It is an honor to be invited to join such accomplished professionals from our industry, to take part in a process that showcases thoughtful analysis, collaboration and problem solving. Judging offers a unique opportunity to explore the complexity of each project—how teams navigate challenges and opportunities to create vessels that best meet the design brief. ·

What do you like about the ISS Design & Awards Gala?

It is a great opportunity to catch up with colleagues and innovators and to meet new people from the industry and celebrate our work.

How did you get your start in the yachting industry?

Always fascinated by the sea and boats, I was introduced to yacht design after moving to Seattle. I came from Rome, where I worked on the design and renovation of historic residences. I was immediately struck by how differently the term “old” is used—in Europe it refers to centuries, in the U.S. just decades and Seattle seemed so “new”. I had the incredible opportunity to work for Glade Johnson, a designer and artist with an extraordinary eye for design, detail, and artistry. Everything was drawn by hand then, and I often spent lunch breaks in the library studying past projects, inspired by Glade’s profile paintings and the meticulous work the studio produced. When I launched my own studio, I set out to carry forward with that same creative spirit.

What is your favorite part of your job? Why?

To transform a challenging or unconventional request of a client to an intentional, well-suited element of a project.

Where do you find inspiration? Why?

In nature: the shapes, the shifting light, the intricate patterns, the rhythm of water in motion. Each season and climate offers a unique palette, a quiet harmony that speaks to both design and emotion. There’s an effortless balance in the way nature creates, and I’m drawn to how these aesthetics can inform and elevate our work, bringing depth, calm, and authenticity to our designs

What advice do you have for the next generation?

Use any opportunity to learn, be bold and creative. Your computer and AI are only tools. ·

What do you see are upcoming trends in the industry?

With advanced technologies, I see a bigger shift toward designs that foster a deep connection with nature. This includes the use of organic materials, light and layouts that blur the boundaries between indoor and outdoor spaces.

What is the greatest piece of advice you’ve gotten?

From my Mother when I was young: “Find your passion and make it your profession!” ·

Where are you the happiest? Why?

In my studio, when I create: work on my projects, or paint.